Soccer Court Area / Dj Act

P5YWHY & 鬼軍曹

Japan, Shamanism Records

P5YWHY…
2020年冬にConcrete HAKUBAでDarkpsychedelicと出会い、その音楽性に衝撃を受ける。
2021年3月には師と崇めるDJ暗黒騎士によりTrance名義である”P5YWHY”と命名。本格的にTranceのDJとして活動を開始する。
2021年11月に仲間と共に”YOTA YOTA CREW”を結成。
2022年2月には長野を拠点に活動する阿羅漢CREWに所属。活動の幅を広げ、ageHa,VISION,Contact,WOMBなど国内有数の大箱でもプレイし着実に知名度も上げている。
2023年にはRAVEシーンに活動の幅を広げ、国内RAVEにも数多くの出演を果たす。衝撃と共に確実に爪痕を残してきた。
2024年3月にドイツを拠点に活動するShamanism Recordsに所属。
尊敬する兄貴分Eikillerと同じレーベルに所属。
国内を出て活動の幅を世界へと着実に繋いでいく。
Hi-Techの高速ビートを軸に様々な展開を広げていく。
別名義でBass MusicのDJとなしても活動している為、
DnBやDubstepを織り交ぜたプレイスタイルが特徴的。
これまでの多様な経験を音楽性に反映した、常識に縛られない型破りなプレイでオーディエンスを魅了する。
そして何より、無類のパーティー好きである彼が歩む音楽人生にこれからも目が離せない。

P5YWHY met Darkpsychedelic at Concrete HAKUBA in the winter of 2020 and was shocked by their musicality.
In March 2021, he was named “P5YWHY”, the name of Trance by DJ Dark Knight, whom he worships as his mentor. He started his career as a Trance DJ in earnest.
In November 2021, he formed “YOTA YOTA CREW” with his friends.
In February 2022, he joined Arhat CREW based in Nagano, Japan. In February 2022, he joined Araraku CREW based in Nagano, Japan, expanding the scope of his activities,
They have played at some of the biggest venues in Japan such as ageHa, VISION, Contact, and WOMB, and are steadily gaining recognition.
In 2023, they will expand their activities into the RAVE scene and perform at many domestic RAVES. They have definitely left their mark along with their impact.
In March 2024, he joined Shamanism Records, based in Germany.
He belongs to the same label as his esteemed brother Eikiller.
He has been steadily expanding his activities beyond Japan to the rest of the world.
He has been expanding his activities with Hi-Tech high speed beats as his axis.
He also works as a DJ of Bass Music under another name,
His play style is characterized by a mixture of DnB and Dubstep.
His unconventional style of play, which reflects his diverse experiences, captivates the audience.
Above all, he is an unparalleled party lover, and we can’t take our eyes off of his musical life.

lit.link/p355